Eads Fouché explores the relationship between sculpture and geology by representing the connections between space and place. His work blurs the literal and metaphorical line between the arts and geology by building sculptures based on 3-dimensional line. Lines are more than just 2-dimensional strokes on a page; they are movements, thoughts, emotions, and 3-dimensional. They are how he thinks. While lines can divide, they also connect. Not only can they visualize a bridge between seemingly disparate concepts, but they also manifest dynamic movement, making them a powerful tool for communication. In both geology and sculpture, 3-dimensional line is fundamental in representing form, movement, and space. Lines are how we understand geology. Whether it be 2D lines on a geologic map, segregations in the geologic time scale, a scientific figure, or 3D lines of bedding planes, science functions through lines. Eads wants to expand our understanding of line from a 2-dimensional division to a 3-dimensional connection between ideas and spaces. In the same way the Earth draws 3-dimensional lines to create mesmerizing geologic formations, Eads sculpts pieces to illustrate the interconnected relationship between line, geology, and place.